Saturday, February 26, 2011

Global Food Price Spike Adding to Civil Unrest, Some Say


A record high price in many food staples is pushing millions into poverty and contributing to unrest in countries like Algeria, Tunisia, Egypt and Yemen, World Bank President Robert Zoellick said this week.
In January, global food prices hit their highest point in the 20 years since the United Nations first started tracking the cost of food. The spike in prices has pushed about 44 million people into extreme poverty since June, said Zoellick, speaking prior to a meeting of G-20 finance ministers in Paris Feb. 18-19.

Demography is destiny

Why the world’s youth is in a revolting state of mind

By Martin Wolf


In Tunisia and Egypt, the young are rebelling against old rulers. In Britain, they are in revolt against tuition fees. What do these young people have in common? They are suffering, albeit in different ways, from what David Willetts, the UK government’s minister of higher education, called the “pinch” in a book published last year.

In some countries, the challenge is an excess of young people; in others, it is that the young are too few. But where the young outnumber the old, they can hope to secure a better fate through the ballot box. Where the old outnumber the young, they can use the ballot box to their advantage, instead. In both cases, powerful destabilising forces are at work, bringing opportunity to some and disappointment to others.

Sunday, February 6, 2011

More's Utopia in Mexico

In 2006, while vacationing in Patzcuaro, a small town in Michoacan Mexico, I took this photo of a magnificent and intriguing mural in the town library. It was painted in 1942 by Juan O'Gorman and depicts some of the town's history and mythology regarding the conquistadores.

The priest in the center is a local hero, Father Vasco de Quiroga, a follower of Thomas More's Utopia, as you can clearly see. I was reminded of the mural while reading Chapter 14. Why do you think Thomas More's book is so prominent in the mural?

You can find a fascinating description of the mural on the web (follow the link), including an explanation of the mural's evident ambivalence towards the Conquest.

http://www.mexconnect.com/articles/1243-did-you-know-the-centenary-of-the-birth-of-artist-juan-o-gorman

Here's a brief excerpt:

"From the right, the Spaniards arrive, led by the allegedly barbarically cruel Nuño Beltran de Guzmán. They attempt to destroy the Purepecha culture, but it survives in a "mummified" form. The native American princess Erendira, the first Indian woman to ride a horse, breaks the siege of Pátzcuaro and rides for help from people living in nearby settlements and on the islands. A feminine Paul Revere! But her efforts are in vain and the Purepecha are tricked into surrender.

Elsewhere, scenes suggest the good and the bad sides of the Conquest. Overlooking the Spanish Inquisition, and a bonfire of Indian idols and codices, is a surrealist figure of a grotesque hand-with-eyes, symbolizing an empty head, a brain that doesn't think, an intelligence without control, an invasion.

The good is shown by several priests who brought education and crafts. They include, in a white tunic and red cloak, the first Bishop of Michoacán, Vasco de Quiroga, who had been influenced by the Utopian ideas of Thomas More. Vasco de Quiroga introduced large fishing nets and encouraged many crafts.

Careful study of the faces of those accompanying the invading Spanish forces will reveal portraits of Mussolini and Hitler. The Conquistadores, Fascists and Nazis are all considered equals..."

Read the rest: http://www.mexconnect.com/articles/1243-did-you-know-the-centenary-of-the-birth-of-artist-juan-o-gorman

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